The Band Codex Atlas & reference for injectors
The Manual · Masterclass delegates

The coordinates, in writing.

Everything the rest of this site withholds, transcribed from the locked BUILD spine and the READ routing table: every point by code with its landmark, plane, instrument, product class, baseline and upward tiers; the entries and the landmark constructions; the session envelope; the modulation by frame, skin and age; the routing of fourteen reads to the points. Issued to delegates of the Band Codex Masterclass for their own practice.

What is here

Twenty-four points

Three at Base, four at Uplift, eight at Install across its four anchors, two at Link, seven at Detail. Each with landmark, plane, instrument, product class, volume by tier, when it fires, when it does not, and its restraint.

What else

The spine around them

The locked session envelope, the upward-tier permissions, the product-class spectrum, the aspiration discipline, the frame, skin and age modulation, and the honest open items the spine still carries.

And

The same layer everywhere

Signed in, the atlas draws the points, entries and constructions on the 3D head, BUILD shows the layer under each step, and the instruments resolve a consultation to points and volumes.

The Masterclass layer

The contents are listed below. The pages open for delegates.

Sign in with the access code issued to you at the Masterclass. If you have not attended yet, the next cohorts are open to doctors, dentists and prescribers.

Next cohorts: 14 to 15 October 2026 · 14 to 15 November 2026 · 16 to 17 January 2027 · Central London

01

The locked session envelope

Minimum, typical and theoretical maximum per side for each step, and the bilateral session total. The baselines of every step.

02

Upward-tier permissions and product class

The three permissions, what each means, the READ triggers that set and withdraw them, and which class of product each step and region uses.

03

Frame, skin and age modulation

What a petite, average, muscular or large frame changes; what elasticity, texture and age change; how existing product is accounted for.

04 · B

Base · the OGEE Curve

The entry, the instrument, the marking frame and the triangle inside it, the three points (the lateral edge, the malar projection, the submalar hollow) with their volumes at every tier, the modulation, the sign-off.

05 · U

Uplift · the Forward Arc

Three entries per side, the locked order of the four points (lateral cheek, anterior cheek, lid-cheek, pyriform), each point's volume, the aspiration discipline, the two anti-feminisation axes at sign-off.

06 · I

Install · the Lower Frame

The commissure verticals and the gnathion horizontal, the eight points across chin length, chin projection, the pre-jowl sulcus and the ramus, the angles of approach, the parent baselines, which points are dropped first under the anti-feminisation lock.

07 · L

Link · the Jawline Silhouette

The entry on the commissure-to-mandible diagonal, the gonial triangle and its correct vertical, the shadow and the thread with their volumes, the three downward exceptions, the sign-off.

08 · D

Detail · the Blended Harmony

The seven regions top down, each with its plane, instrument, product class and working maximum; why nine became seven; the tier exemption; the Believability Stop applied.

09

Routing: fourteen reads to twenty-four points

For each of the fourteen READ items, the points it fires, the permissions it sets and the locks it places.

10

Aspiration discipline and the open items

Where aspiration is locked, where it is not, and the three items the spine still marks TBD.

The Masterclass layer

Ten sections, in your hands the day you attend.

Every delegate leaves the Masterclass with an access code to this layer, on the atlas, under each BUILD step, in the instruments and here in full.

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